Sharp Focus March 2024

MESSAGE FROM YOUR CHAIRMAN

February 2024

Hi all

At the risk of offending anybody who has ever been rash enough to agree to run a workshop, and that includes myself, I personally think that the workshop Patrick ran on Saturday, 9th March, was the best organised one I have attended. The thought, attention to detail, and planning that went into it was outstanding. From an initial detailed instruction sheet, containing information on route, photographic requirements, camera settings, field craft, to additional information over WhatsApp, all went together to make sure everyone was comfortable with the arrangements.

 

Kind regards

Geoff

 

From your editor’s desk

This is not really about photography, except to say that we need cameras around our necks at all times!!

 

Maureen

Judges’ corner

Peter has been frantically busy over the past couple of weeks, so I’m taking this opportunity to usurp his word allocation to ask a question on something that’s been on my mind for a while – presets and sky replacement.

I happened on a conversation the other day that was dealing with sky replacement, which I have used on occasion, but mostly with a sky that I myself had photographed. The consensus was that it was fine to use any available replacement as long as the pic wasn’t intended for review, salons, or club competitions. For those, all aspects of the image, including the replaced sky, must be taken and edited by the author himself/herself. I can understand this, but my question now is whether using someone else’s replacement sky is allowed in any version of the photographer’s image? It seems to me that with the PSSA rules, and clubs that abide by those rules, these should apply in an author-edited image as well, even if used commercially? Otherwise permission should or could be obtained from the author of the sky part of the image, but this would add hours of extra time to the image edit.

And the same applies to presets, even if in a different format. I almost never use presets, preferring to change bits of my images to something that I do myself and can be proud of, but presets appear to be edits in terms of light, focus points and other things that some of us might battle with – using layers, for instance, for changing f-stops. And if we should go for a preset that has been sold to us by one of the ‘togs that haunt the email systems, and we feel that this has imroved our image a lot, is this acceptable to club or salon judges?

I hope that these questions can be clarified in simple terms, and that  you, Peter, can do this for us.

 

Winners of Digital Image of the Month (February 2024)

 

EVALUATION OF DIGITAL PHOTOGRAPHY

Digital Entries
Title Category Author Star Score Award Points
Bone Crusher Wildlife Johan Kloppers MB 12 Gold 3
Chairs Mt Vernon Landscape Mike Wesson 3 12 Gold 3
Chance Meeting Open Mike Wesson 3 9 Silver 2
Fire Spreading Open Maureen Miller 3 10 Gold 3
Firefighters Open Maureen Miller 3 9 Silver 2
Flop Display Flight Wildlife Patrick Cardwell 2 10 Gold 3
Full Frontal Assault Wildlife Peter Franklin 3 12 Gold 3
Hyrax in a Man’s World Nature Geora Zadok 1 8 Gold 3
Landscape in Plaster Open Marian Shinn 2 8 Silver 2
Liquid Amber Wildlife Patrick Cardwell 2 11 Gold 3
Make A Wish Open Kate Graham 1 8 Gold 3
On Guard Wildlife Lorne Sulcas 4 10 Silver 2
On the Lookout Wildlife Derek Goldman 4 10 Silver 2
On the Other Side Open Ceridwyn Jamieson 4 9 Silver 2
Poised Open Geoff Jamieson 4 10 Silver 2
Pretty Posie Open Ceridwyn Jamieson 4 10 Silver 2
Protection Wildlife Lorne Sulcas 4 12 Gold 3
Rein Back Open Kate Graham 1 9 Gold 3
Remember When Open Peter Franklin 2 11 Gold 3
Safe at Work Open Margaret Silk 1 11 COM 4
Sleeping Street Open Peter Brandt MB 10 Bronze 1
Splash Open Derek Goldman 4 9 Silver 2
Spot of Bother Sport Keith Lyle 4 12 Gold 3
Spirit of the Woods Creative Peter Brandt MB 12 Gold 3
St Pauls London Scapes Geora Zadok 1 10 Gold 3
Stepping Carefully Open Geoff Jamieson 4 10 Silver 2
Take Off Wildlife Johan Kloppers MB 12 Gold 3
Tea Party for None Still Life Marian Shinn 2 8 Silver 2
Tender Box Open Margaret Silk 1 11 COM 4
The Cat Stare Wildlife Marielouise Cardwell 2 10 Gold 3
The herd Wildlife Marielouise Cardwell 2 9 Gold 3
Thirst quenched Wildlife Didi Franklin 3 12 Gold 3
Tiber Evening Open Didi Franklin 3 11 Gold 3
Uppies Sport Keith Lyle 4 11 Gold 3

 

 

Winners of Theme Image of the Month – Chrome – (February 2024)

EVALUATION OF THEME IMAGES – CHROME – FEBRUARY 2024

Theme Entries
Title Category Author Star Score Award Points
Born to be Wild Theme Peter Brandt MB 11 Silver 2
Chromatic Entanglement Theme Patrick Cardwell 2 9 Gold 3
Chrome Bars Theme Marian Shinn 2 8 Silver 2
Chrome! Theme Didi Franklin 3 8 Silver 2
Controls my Shower Theme Ceridwyn Jamieson 4 10 Silver 2
Faux Chrome Theme Kate Graham 1 9 Gold 3
Glass, Chrome and Rubber Theme Peter Franklin 3 8 Silver 2
Gleaming Green Theme Derek Goldman 4 12 Gold 3
Honda Motor Theme Keith Lyle 4 9 Silver 2
Reflection in Chrome Theme Geora Zadok 1 9 Gold 3
Reflections in Chrome Theme Marielouise Cardwell 2 10 Gold 3
Reflections Theme Mike Wesson 3 7 Bronze 1
Stacked Together Theme Geoff Jamieson 4 13 COM 4
Tilted Theme Margaret Silk 1 9 Gold 3

 

Salons

Salon dates for the following year are available from the PSSA website under the tab Salon Calendar and Results for the Year Ending June 2024 or from www.photovaultonline.com

All the brochures containing details are available on both the PSSA and Photovault websites.

Please see our record-keeping page for information on how to submit your salon acceptances to our club records.

Themes and Outings

Ctrl-Click here to view our themes and outings for 2023/24.

 

Formats and sizes of photo submissions, and naming conventions

Click here to see the specifications for digital and print submissions.

Our committee

Click here to view our 2024 committee or to contact them.