MESSAGE FROM YOUR CHAIRMAN
February 2024
Hi all
At the risk of offending anybody who has ever been rash enough to agree to run a workshop, and that includes myself, I personally think that the workshop Patrick ran on Saturday, 9th March, was the best organised one I have attended. The thought, attention to detail, and planning that went into it was outstanding. From an initial detailed instruction sheet, containing information on route, photographic requirements, camera settings, field craft, to additional information over WhatsApp, all went together to make sure everyone was comfortable with the arrangements.
Kind regards
Geoff
From your editor’s desk
This is not really about photography, except to say that we need cameras around our necks at all times!!
Maureen
Judges’ corner
Peter has been frantically busy over the past couple of weeks, so I’m taking this opportunity to usurp his word allocation to ask a question on something that’s been on my mind for a while – presets and sky replacement.
I happened on a conversation the other day that was dealing with sky replacement, which I have used on occasion, but mostly with a sky that I myself had photographed. The consensus was that it was fine to use any available replacement as long as the pic wasn’t intended for review, salons, or club competitions. For those, all aspects of the image, including the replaced sky, must be taken and edited by the author himself/herself. I can understand this, but my question now is whether using someone else’s replacement sky is allowed in any version of the photographer’s image? It seems to me that with the PSSA rules, and clubs that abide by those rules, these should apply in an author-edited image as well, even if used commercially? Otherwise permission should or could be obtained from the author of the sky part of the image, but this would add hours of extra time to the image edit.
And the same applies to presets, even if in a different format. I almost never use presets, preferring to change bits of my images to something that I do myself and can be proud of, but presets appear to be edits in terms of light, focus points and other things that some of us might battle with – using layers, for instance, for changing f-stops. And if we should go for a preset that has been sold to us by one of the ‘togs that haunt the email systems, and we feel that this has imroved our image a lot, is this acceptable to club or salon judges?
I hope that these questions can be clarified in simple terms, and that you, Peter, can do this for us.
Winners of Digital Image of the Month (February 2024)
EVALUATION OF DIGITAL PHOTOGRAPHY |
||||||
| Digital Entries | ||||||
| Title | Category | Author | Star | Score | Award | Points |
| Bone Crusher | Wildlife | Johan Kloppers | MB | 12 | Gold | 3 |
| Chairs Mt Vernon | Landscape | Mike Wesson | 3 | 12 | Gold | 3 |
| Chance Meeting | Open | Mike Wesson | 3 | 9 | Silver | 2 |
| Fire Spreading | Open | Maureen Miller | 3 | 10 | Gold | 3 |
| Firefighters | Open | Maureen Miller | 3 | 9 | Silver | 2 |
| Flop Display Flight | Wildlife | Patrick Cardwell | 2 | 10 | Gold | 3 |
| Full Frontal Assault | Wildlife | Peter Franklin | 3 | 12 | Gold | 3 |
| Hyrax in a Man’s World | Nature | Geora Zadok | 1 | 8 | Gold | 3 |
| Landscape in Plaster | Open | Marian Shinn | 2 | 8 | Silver | 2 |
| Liquid Amber | Wildlife | Patrick Cardwell | 2 | 11 | Gold | 3 |
| Make A Wish | Open | Kate Graham | 1 | 8 | Gold | 3 |
| On Guard | Wildlife | Lorne Sulcas | 4 | 10 | Silver | 2 |
| On the Lookout | Wildlife | Derek Goldman | 4 | 10 | Silver | 2 |
| On the Other Side | Open | Ceridwyn Jamieson | 4 | 9 | Silver | 2 |
| Poised | Open | Geoff Jamieson | 4 | 10 | Silver | 2 |
| Pretty Posie | Open | Ceridwyn Jamieson | 4 | 10 | Silver | 2 |
| Protection | Wildlife | Lorne Sulcas | 4 | 12 | Gold | 3 |
| Rein Back | Open | Kate Graham | 1 | 9 | Gold | 3 |
| Remember When | Open | Peter Franklin | 2 | 11 | Gold | 3 |
| Safe at Work | Open | Margaret Silk | 1 | 11 | COM | 4 |
| Sleeping Street | Open | Peter Brandt | MB | 10 | Bronze | 1 |
| Splash | Open | Derek Goldman | 4 | 9 | Silver | 2 |
| Spot of Bother | Sport | Keith Lyle | 4 | 12 | Gold | 3 |
| Spirit of the Woods | Creative | Peter Brandt | MB | 12 | Gold | 3 |
| St Pauls London | Scapes | Geora Zadok | 1 | 10 | Gold | 3 |
| Stepping Carefully | Open | Geoff Jamieson | 4 | 10 | Silver | 2 |
| Take Off | Wildlife | Johan Kloppers | MB | 12 | Gold | 3 |
| Tea Party for None | Still Life | Marian Shinn | 2 | 8 | Silver | 2 |
| Tender Box | Open | Margaret Silk | 1 | 11 | COM | 4 |
| The Cat Stare | Wildlife | Marielouise Cardwell | 2 | 10 | Gold | 3 |
| The herd | Wildlife | Marielouise Cardwell | 2 | 9 | Gold | 3 |
| Thirst quenched | Wildlife | Didi Franklin | 3 | 12 | Gold | 3 |
| Tiber Evening | Open | Didi Franklin | 3 | 11 | Gold | 3 |
| Uppies | Sport | Keith Lyle | 4 | 11 | Gold | 3 |
Winners of Theme Image of the Month – Chrome – (February 2024)
EVALUATION OF THEME IMAGES – CHROME – FEBRUARY 2024 |
||||||
| Theme Entries | ||||||
| Title | Category | Author | Star | Score | Award | Points |
| Born to be Wild | Theme | Peter Brandt | MB | 11 | Silver | 2 |
| Chromatic Entanglement | Theme | Patrick Cardwell | 2 | 9 | Gold | 3 |
| Chrome Bars | Theme | Marian Shinn | 2 | 8 | Silver | 2 |
| Chrome! | Theme | Didi Franklin | 3 | 8 | Silver | 2 |
| Controls my Shower | Theme | Ceridwyn Jamieson | 4 | 10 | Silver | 2 |
| Faux Chrome | Theme | Kate Graham | 1 | 9 | Gold | 3 |
| Glass, Chrome and Rubber | Theme | Peter Franklin | 3 | 8 | Silver | 2 |
| Gleaming Green | Theme | Derek Goldman | 4 | 12 | Gold | 3 |
| Honda Motor | Theme | Keith Lyle | 4 | 9 | Silver | 2 |
| Reflection in Chrome | Theme | Geora Zadok | 1 | 9 | Gold | 3 |
| Reflections in Chrome | Theme | Marielouise Cardwell | 2 | 10 | Gold | 3 |
| Reflections | Theme | Mike Wesson | 3 | 7 | Bronze | 1 |
| Stacked Together | Theme | Geoff Jamieson | 4 | 13 | COM | 4 |
| Tilted | Theme | Margaret Silk | 1 | 9 | Gold | 3 |
Salons
Salon dates for the following year are available from the PSSA website under the tab Salon Calendar and Results for the Year Ending June 2024 or from www.photovaultonline.com
All the brochures containing details are available on both the PSSA and Photovault websites.
Please see our record-keeping page for information on how to submit your salon acceptances to our club records.
Themes and Outings
Ctrl-Click here to view our themes and outings for 2023/24.
Formats and sizes of photo submissions, and naming conventions
Click here to see the specifications for digital and print submissions.
Our committee
Click here to view our 2024 committee or to contact them.





