MESSAGE FROM THE CHAIRMAN
Greetings, everyone
In two weeks time Ceridwyn and I will be going on holiday to England for five weeks. Two weeks of that time will be spent with family, but the other three weeks we will be on our own, moving from B&B to B&B from the Lake District down the west coast of England and Wales. The decision I’m wrestling with is what lens to take. I can’t take all the lens I have as that would weigh more than my suitcase. So what lens or lenses should I take? Maybe just take the kit lens it’s very versatile and doesn’t weigh anything. But does it have the range I might need? Well, what about my Canon 18-200 – its light and it is a great walk-about lens, it’s not too heavy – but again will it be sufficient for some of the long shots I know I will want to take. Well, what about the Tamron 18-400 it would give me the widest range of lens for any possible situation. But someone suggested it was too heavy to lug around England.
I’m starting to get a bit paranoid so I went on to YouTube for advice because that’s where the experts are. The first ‘expert’ suggested all I need was a ‘Nifty Fifty’ – Ceridwyn has one but I don’t – so it would mean spending more money which I just don’t have – not at R21 to the pound. So I went on to the next ‘expert’ and she suggested a Canon 24-70 as THE best lens – but that would set me back R20,000 – a lot more than the ‘Nifty Fifty’. So I went from one ‘expert’ to the next – and do you know what – now I am totally paranoid.
So, after weeks of worry I’ve decided not to take my #$%^& camera at all – I think I’ll be a lot happier. Only kidding.
Geoff
From the Editor’s desk
Hi, all
The theme for this month is “Partial Desaturation“, which can be a lot of fun to experiment with, and can have results ranging from highly impactful to super-cheesy!
Essentially the idea here is that you desaturate most of your image, allowing a key focal / narrative / graphic element to retain colour, in this way simplifying the composition while center-staging the most important component.
Take a look at the images below for some really creative approaches to partial desaturation (the images are thumbnails, so click on them to see them properly):
The last thumbnail is actually from a Photoshop tutorial that tells you how to do this – you can see it here. It is 10 years old, but the principles remain unchanged. While it uses “colour select” to isolate the red ribbon, note that later versions of Photoshop offer a lot more ways of selecting items, be it “color range”, “focus area”, “subject” or “sky”, or through smart selection tools such as the “quick selection tool” or the “smart selection tool”.
Here is a link to a Lightroom Tutorial demonstrating something similar. This tutorial is also pretty old, but the principles remain. Again, the recent versions have made major advances on how you select an area, ranging from “object selection” to “brushes” to “gradients” to “colour, luminance or depth ranges” to not just “people” but also “face”, “skin”, “eyebrows” and so on!
A final note
While the theme is “Partial Desaturation” and not “Single Colour plus mono”, you would be well advised to simplify your colour area to either a single colour, or to complementary colours (4th thumbnail, above). Also, while some may be tempted to leave larger areas of colour, ask yourself the question: is the result simplifying the image, or is it bringing complexity to it by interfering with an intuitive reading of the scene / my intentions?
Cheers
Peter
Winners of Image of the Month (October 2022)
Evaluation of Digital Photography |
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Digital Entries |
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Title | Category | Author | Star | Score | Award | Points |
A Duck Tale | sport action | Keith Lyle | 4 | 10 | Silver | 2 |
Abandoned | Scenic | Coral Surtees | 4 | 9 | Silver | 2 |
Abstract#1 | Open | Kate Graham | 1 | 8 | Gold | 3 |
Attracting females | Wildlife | Didi Franklin | 3 | 10 | Gold | 3 |
cute cat | wildlife | Lorne Sulcas | 4 | 12 | Gold | 3 |
Evening Tranquility | Landscape | Didi Franklin | 3 | 12 | Gold | 3 |
Firefighter | photojournalism | marielouise cardwell | 2 | 11 | Gold | 3 |
Fishing flash | Scape | John Douglas | 3 | 8 | Silver | 2 |
Flower Power | Nature | Lynn Toms | 3 | 8 | Silver | 2 |
Forest Floor | Nature | Derek Goldman | 4 | 10 | Silver | 2 |
Frozen beauty | Landscapes | Peter Franklin | 3 | 11 | Gold | 3 |
Hanoi sidewalk basics | Travel | Marian Shinn | 1 | 8 | Gold | 3 |
Help Mom, I’m stuck | Open | Mauren Miller | 3 | 10 | Gold | 3 |
n The Dunes | scenic | Coral Surtees | 4 | 10 | Silver | 2 |
Jailhouse rot | Open | Keith Lyle | 4 | 9 | Silver | 2 |
Magic forest | open | marielouise cardwell | 2 | 10 | Gold | 3 |
Nearing the End | Open | Ceridwyn Jamieson | 3 | 9 | Silver | 2 |
neck and neck tussle | wildlife | Lorne Sulcas | 4 | 12 | Gold | 3 |
Now You See Me | Open | Kate Graham | 1 | 8 | Gold | 3 |
Owling around | nature | patrick cardwell | 2 | 10 | Gold | 3 |
Patiently Waiting | Open | Geoff Jamieson | 4 | 10 | Silver | 2 |
Ripples Rock Reflection | Open | Maureen Miller | 3 | 9 | Silver | 2 |
Roman Baths | Open | Lynn Toms | 3 | 9 | Silver | 2 |
rush hour | sports | Peter Brandt | MB | 12 | Gold | 3 |
Sheep cave kraal | Landscape | Marian Shinn | 1 | 8 | Gold | 3 |
Sunrise walk | Mono | John Douglas | 3 | 10 | Gold | 3 |
Takeoff | Nature | Derek Goldman | 4 | 9 | Silver | 2 |
Total devotion | portraiture | patrick cardwell | 2 | 10 | Gold | 3 |
View from the Ruins | Open | Ceridwyn Jamieson | 3 | 8 | Silver | 2 |
Where Oceans meet the dawn | Landscapes | pFranklin | 3 | 8 | Silver | 2 |
worn out | portrait | Peter Brandt | MB | 10 | Bronze | 1 |
Winners of Theme Image of the Month – Cityscapes (October 2022)
Evaluation of Theme Photography |
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Digital Entries |
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Title | Category | Author | Star | Score | Award | Points |
Abstract | Theme | Didi Franklin | 3 | 10 | Gold | 3 |
Autumn | Theme | Evelyn Lyle | 4 | 11 | Gold | 3 |
Flames in the Bush | Theme | Ceridwyn Jamieson | 3 | 11 | Gold | 3 |
Frenzy | Theme | marielouise cardwell | 2 | 10 | Gold | 3 |
Frosted reflection | Theme | Marian Shinn | 1 | 10 | Gold | 3 |
In The Pink | Theme | Coral Surtees | 4 | 9 | Silver | 2 |
Infinity | Theme | Lynn Toms | 3 | 10 | Gold | 3 |
Lines and angles | Theme | PFranklin | 3 | 9 | Silver | 2 |
natrural fire | Theme | Peter Brandt | MB | 11 | Silver | 2 |
Natural Nephron | Theme | Derek Goldman | 4 | 10 | Silver | 2 |
Rivetted attention | Theme | patrick cardwell | 2 | 9 | Gold | 3 |
This Is Not In Black&White | Theme | Kate Graham | 1 | 8 | Gold | 3 |
Tsunami approach | Theme | Maureen Miller | 3 | 9 | Silver | 2 |
Vortex | Theme | Geoff Jamieson | 4 | 11 | Gold | 3 |
Salons
Salon dates for the following year are available from the PSSA website under the tab Salon Calendar and Results for the Year Ending June 2023, or from www.photovaultonline.com
All the brochures containing details are available on both the PSSA and Photovault websites.
Please see our record-keeping page for information on how to submit your salon acceptances to our club records.
Themes and Outings
Click here to view our themes and outings for 2022.
Formats and sizes of photo submissions, and naming conventions
Click here to find see the specifications for digital and print submissions.
Our committee
Click here to view our 2021 committee or to contact them.