MESSAGE FROM YOUR CHAIRMAN
Hi, All
I want to start my article by congratulating Peter Franklin and Johan Kloppers for their recent successes in the July monthly competition of the PSSA countrywide. Peter was the runner up countrywide in the junior competition for his entry Playful Times – his image received the highest score of all twelve Western Cape entries, 39 points out of 45. Johan’s Jacana Reflections obtained the highest score of 38 points out of 45 of all the Western Cape entries in the senior competition. Once again, congratulations to you both.
Nicol du Toit has sent an update on the Celebration of Photography exhibition that CTPS have invited us to participate in at Groot Constantia Wine Estate. He reports that 15 WC clubs and five youth clubs have accepted the invitation to participate in the exhibition. This means that the organisers must restrict the number of entries to 10 per club (one per person from 10 members) and four per youth club, instead of the 12 they had planned for. This change is due to the maximum number of images that can be exhibited in the space available. If you would like to exhibit an image please let Peter and myself know –our Interclub judging committee will choose the best 10 to be submitted.
Please remember that on Monday, 25th September 2023, we will be holding our Annual General Meeting, at the Moth Hall, starting at 7pm (half an hour earlier than normal). If you would like to nominate someone to serve on the committee, please get their permission to do so, and then contact me so that we can put their name forward.
I want to end with a quote from Mark Denman:
“It’s not enough to just own a camera. Everyone owns a camera. To be a photographer you must understand, appreciate and harness the power you hold!”
Geoff
From your editor’s desk
It’s interesting and quite sad to me how memories of someone who has recently passed away can quickly fade. Then a picture brings them back to you in a second, or an article recollects the fun we had together, and what stunning images we produced, or at least one of us did.
Evelyn loved anything and everything in photography, but had she been asked for her favourite genre her quick reply would have been “Steam engines”. And if she’d had the option to bring back the good old black puffers, shining with polish brass and red, I’m sure she would have wielded her broom on every grain of sand on the Fish Hoek/Simon’s Town line so that the trains could make their Sunday runs loaded with photographers and tourists.
Which is why the familiarity to me was immediate when Paul Ash wrote in The Loneliness of the Last Steam Spotters (Business Day 6 September) that
The track curved around a hill behind from which a column of steam and black smoke rose into the morning. Over the birdsong came the sound of a steam engine struggling uphill with heavy, plodding exhalations of locomotive breath.
Well did we know the Sunday sights and sounds of trains in the offing, but writer Paul knew nothing of Evelyn’s weekend phone call at 6 am suggesting sweetly that Jenny was running today, and we would get excellent images of smoke and steam. Or a Christmas message that the train staff would all be dressed up according to the season – which they were; chunky Father Xmases leaping around from Cape Town to Simons Town. Paul’s article dealt with steam enthusiasts worldwide, travelling from city to continent desperately attempting to keep these few historical old puffers on the tracks, if only for joyrides between small stations. And lucky were we to become the beneficiaries of gorgeous trips from Cape Town to line end and further afield.
In the middle of nowhere, sometimes hidden behind a bush or a wall, sometimes clearly visible to the train drivers, the three of us would watch for black smoke around a line curve. The engine drivers knew we were there and waving madly let us have smoke and steam for longer than perhaps they should have. For me it was a whole new interest, and the memories those pictures evoked of friends and enthusiasm are still welcome and will not fade, dedicated as they now are to Evelyn, steam enthusiast with the best of them.
Buy and sell
Anyone who is thinking of upgrading their camera equipment – I’ve been asked by a relative to help her sell two lenses, so here are the details:
Canon EF-5.6 L lens in excellent condition with box and carrying case – R18 000.00.
Canon EF 6D full frame lens. Very good condition with original box. Always had the same lens on, so very clean inside. Some external signs of use, but nothing serious. 7019 iterations. R6 500.00.
Should you be interested in either of these lenses, please either give me a call or drop me a line and I’ll put you in touch with the owner.
Maureen
Judge’s corner
I was hoping to give some input on this month’s theme, Architectural photography, but the month has run away from us, and by the time the newsletter comes out it will be to late to be of any use!
So instead I will take the opportunity to share the following poem, by Félix Morisseau-Leroy, a Haitian, which appeared in an article called Haiti Feeding the Spirit (Aperture, 1992).
KODAK
Tourist, don’t take my picture
Don’t take my picture, tourist
I’m too ugly
Too dirty
Too meager and too thin
Don’t take my picture, white
Mr. Eastman wouldn’t approve
I’m too ugly, too thin
And your Kodak will break
I’m too dirty and too black
Your Kodak will burst
Don’t take my portrait, tourist
Let me be, white
Don’t photograph my donkey
Donkeys here carry too much
Donkeys here are too little
Donkeys here don’t eat
Tourist, don’t shoot my house
My house is a house of hay
Don’t take a picture of my poor house
My house is a house of clay
What made it really interesting is that the poem was presented alongside six studio portraits of children taken between 1959 and 1969 by Abraham Photo, in Port-au-Prince (see first image, below).
According to Ashley la Grange in the academic companion Basic Critical Theory for Photographers, “The portraits do not attempt to reveal poverty and show the children neatly dressed in a range of outfits … the photographs and the poem Kodak … highlight the relationship between Haitians ‘caught’ by the tourist’s camera ‘. . . and the way Haitians respond to photographic studio camera. The studio photographs . . . are remarkable for the clear cultural negotiations that are apparent in the photographs themselves. The subject, the camera, and the studio photographer are engaged in [a] . . . socially and artistically agreed upon photographic process. The subjects are in control. They are paying for the photographic sessions, which they themselves have initiated. In contrast to the ‘tourist’ photography that Morisseau-Leroy deplores, it is the Haitian clients who will determine how and in what context their images will be both made and displayed’.”
Food for thought!
See you at the next meeting
Peter
Winners of Digital Image of the Month (August 2023)
Evaluation of Digital Photography | |||||||
Digital Entries | |||||||
Title | Category | Author | Star | Score | Award | Points | Pic of Month |
Awash | Scapes | Keith Lyle | 4 | 10 | Silver | 2 | |
Bumbling Along | Nature | Patrick Cardwell | 2 | 9 | Gold | 3 | |
Bushman | Portraiture | Johan Kloppers | MB | 12 | Gold | 3 | Yes |
Canola-Zigzag | Landscape | Maureen Miller | 3 | 10 | Gold | 3 | |
Conquerer and Carcass | Wildlife | Lorne Sulcas | 4 | 11 | Gold | 3 | |
Death or Glory | Sports | Peter Brandt | MB | 13 | COM | 4 | Yes |
Double Collared Sun Bird | Nature | Ceridwyn Jamieson | 3 | 9 | Silver | 2 | |
Fading Beauty | Open | Lynn Toms | 3 | 11 | Gold | 3 | |
Fetch | Open | Geoff Jamieson | 4 | 10 | Silver | 2 | |
Forest Boardwalk | Nature | Marian Shinn | 1 | 9 | Gold | 3 | |
Frenzy | Open | Peter Franklin | 3 | 11 | Gold | 3 | |
Friend or Foe | Wildlife | Lorne Sulcas | 4 | 12 | Gold | 3 | Yes |
Kate Restrained | Open | Margaret Silk | 1 | 9 | Gold | 3 | |
Mother and Child duo | Nature | Marie-Louise Cardwell | 2 | 11 | Gold | 3 | |
Night Strollers | Open | Didi Franklin | 3 | 11 | Gold | 3 | |
Oblivious | Street Photography | Betzi Pierce | 3 | 9 | Silver | 2 | |
Peeking Out | Street | Marian Shinn | 1 | 9 | Gold | 3 | |
Planted | Open | Derek Goldman | 4 | 12 | Gold | 3 | Yes |
Ready for the Hunt | Nature | Marie-Louise Cardwell | 2 | 12 | COM | 4 | Yes |
Robin | Nature | Geoff Jamieson | 4 | 10 | Silver | 2 | |
Rothenburg Old City Wall | Open | Betzi Pierce | 3 | 9 | Silver | 2 | |
Shadow on Shadow | Open | Mike Wesson | 3 | 7 | Bronze | 1 | |
Smiling Girl | Portraiture | Johan Kloppers | MB | 12 | Gold | 3 | Yes |
Something Red | Abstract | Lynn Toms | 3 | 9 | Silver | 2 | |
Spinning | Open | Derek Goldman | 4 | 12 | Gold | 3 | Yes |
Splashed by the Rain | Open | Ceridwyn Jamieson | 3 | 9 | Silver | 2 | |
Stitch at a Time | Nature | Patrick Cardwell | 2 | 9 | Gold | 3 | |
Tenebrae | Open | Margaret Silk | 1 | 10 | Gold | 3 | |
Tennis? | Open | Mike Wesson | 3 | 8 | Silver | 2 | |
Thirst Quenched | Nature | Didi Franklin | 3 | 13 | COM | 4 | Yes |
Timeless | Landscapes | Peter Franklin | 3 | 11 | Gold | 3 | |
Waterferno | PJ | Peter Brandt | MB | 12 | Gold | 3 | Yes |
Whoohoo | Black & White | Keith Lyle | 4 | 12 | Gold | 3 | Yes |
Winners of Theme Image of the Month – Shadows (August 2023)
Theme Image of the Month: First Place Noir Swimmer by Peter Brandt, MB
EVALUATION OF THEME IMAGES – AUGUST 2023
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Salons
Salon dates for the following year are available from the PSSA website under the tab Salon Calendar and Results for the Year Ending June 2023, or from www.photovaultonline.com
All the brochures containing details are available on both the PSSA and Photovault websites.
Please see our record-keeping page for information on how to submit your salon acceptances to our club records.
Themes and Outings
Click here to view our themes and outings for 2023.
Formats and sizes of photo submissions, and naming conventions
Click here to find see the specifications for digital and print submissions.
Our committee
Click here to view our 2023 committee or to contact them.