Digital 1st place: Love in a Mist, by Margaret Silk

Sharp Focus January 2024

MESSAGE FROM YOUR CHAIRMAN

December 2023

Hi all

As Ceridwyn and I walked into the room where our end-of-year party was to be held at The Galley I was stunned at how striking it looked. One of the photos Keith took of the unspoilt table gives some hint of the impact it had. I want to thank Coral for all the time, effort and cost that she puts in to make our last meeting so special.

And what a special evening it was – Maureen being escorted by Peter B to receive the PSSA cup for all her dedication to the club over the years as editor of our magazine. Then we had Marian, Marie-Louise and Didi walking away with the ‘Junior’ trophies, while Peter B (x2), and Johan gained the ‘Senior’ trophies.

Johan also won our one-off Wildlife Image of the Year prize with his ‘Jacana Reflections’, while Peter F deservedly won the ‘Image of the Year’ trophy with his magnificent photo of three lion cubs ‘Playful Times’. It is extremely high praise when experienced judges such as Trudi and Nicol du Toit give it 15 out of 15.

       

But the evening didn’t end there. Nicol, as Regional Director of the PSSA, presented awards to two of our members from the PSSA. Congratulations go to Derek on gaining the Impala award for the most points gained by a club member for salon acceptances over this last year, and to Johan for being awarded the society’s Associate certificate.

And a final thank you goes to Peter B for putting together the slide show of images that showcased our work over the year, and more specifically this year’s winning images.

Our next meeting takes place at the False Bay Yacht Club on Monday, 22nd January 2024, at 7:30pm. The Theme is ‘Simplicity’. See you there.

Geoff

 

From your editor’s desk

And so …
Another year drifts by
quietly, hoping to be unnoticed
until deadlines
interfere, loudly
claiming completion.
Then days and hours are counted,
not the drifting years,
by we who are limited
by what is left of life.

Maureen Miller

Judges’ corner

This is part three (of three) where I share content from Robert Adams’ book Why People Photograph, and we will look at three valid yet totally different approaches to looking at and critiquing three different photographs.

Unfortunately I am unable to locate the photo that Peter Godwin discusses (it is not in my copy of Robert Adams’ book), but I don’t think that matters: the analysis is wonderfully descriptive, and substitutes written language for the visual language of the photograph.

In this issue we will look at Peter Godwin discussing a photograph of Robert Mugabe by Rob Cooper:
(click on the photo to view larger)

The Emperor’s New Clothes

On the face of it there’s nothing that is remarkable about this photograph of Zimbabwe’s president Robert Mugabe. It seems like another stock shot of him at a political rally. The iconography of power is all here. The bulky armchair chair is appropriately throne like, the gold ring and watch peep from beneath the sleeve, indicating that he is a ‘big man’ in the African tradition, a man with resources who can help those who curry his favour. And behind him are arrayed the usual tableaux of enforcers: the senior cop, garnished with braid and medals, and the security agent, complete with aviator shades, goatee and moustache, and double breasted jacket – all the better for concealing the shoulder holster beneath its bulkier cut. And underneath them all, of course, that old cliché of power, the red carpet.

But to my mind, this image is laced with the visual clues to the elderly president’s desperate political calculus.

It is taken in 2000 when, after twenty years of a consolidating his one party state – that party being the ZANU PF on the banner behind him – his formerly quiescent people have suddenly risen to challenge him by voting against a constitutional amendment that would extend his presidential term limits.

Mugabe is furious and in this election campaign he is fighting back by dusting off his old credentials as a guerrilla leader and reheating the congealed remnants of an ancient anti-colonial struggle that most of his young population can barely recall.

So he has changed out of the Saville Row suits and silk polka dot ties of the proto-capitalist, foreign investment friendly leader and donned once more the garb
of the guerrilla: the olive combat gear that he used to wear in the early 1970s, in order to emphasise his man-of-action persona, with its chilling reminder of the ‘power flows from a barrel of gun’ dictum that seems to remain indelibly in his political DNA. (Fidel Castro is the main practitioner of this ageing guerrilla act.) The uniform is part of a greater problem, the near universal inability of former guerrilla groups to transform themselves into truly democratic political parties; their inability to distinguish disagreement from treason. Their assumption that the concept of the ‘loyal opposition’ is an oxymoron.

But his get-up also reveals something else about Mugabe – that he was never actually a soldier in the bush war. The signs are all here: the light blue socks and slip-on, leather soled loafers, the coltish knock-kneed stance, the geeky multiple pens of the school teacher he once was, carefully arrayed in his top pocket, the outsized, almost feminizing spectacles – which themselves provide a mask for his impassive face. All of these help to betray a man who was always more at home behind a desk than in the field.

The president has a lot on his mind. He is busy putting in place a campaign of torture, intimidation, media clampdowns, gerrymandering and vote rigging.

And the slogan partial concealed behind him, actually reads (in Shona, the vernacular) Our Land is Our Power (chk). This was the cornerstone of his furious reaction to the sudden appearance of a credible political challenge: to dismiss the new opposition (Movement for Democratic Change) as lackeys to former white rulers, and to confiscate those farms still owned by whites and redistribute them to political allies. Over the next few years this deliberately anarchic transfer destroys commercial agriculture and with it most of the country’s economy. Zimbabwe now has the fastest shrinking GDP in the world, and the highest inflation rate. Since this photograph was taken, almost half of its adults have fled the country.

What we are seeing here is an old man in his moment of Sampsonian spasm, pulling down the pillars of the temple around him, ruining an entire country in order to cling to power. This is a man who once thought his legacy might rival Nelson Mandela’s. Zimbabwe had the highest literacy rate in Africa, and a flourishing economy, with the continent’s second highest standard of living. But Mugabe is sacrificing all of it to stay on this chair into his dotage. His expression, disdainful, aloof, sees barely to mask his cold rage at his querulous populace and his determination to whip them back into line – whatever the cost.

It is a powerful portrait of political hubris.

See you at the next meeting
Peter

 

Winners of Digital Image of the Month (November/December 2023)

         

EVALUATION OF DIGITAL PHOTOGRAPHY

EVALUATION  OF DIGITAL ENTRIES

 

Title Limited Characters Category Author Star Score Award
Bad Hair Day Wildlife Sharon Crowther 1 9 Gold
Blyde River Canyon Landscape Betzi Pierce 3 10 Gold
But Why? Open Derek Goldman 4 11 Gold
Consideration Open Mike Wesson 3 9 Silver
Contentment Wildlife Peter Franklin 3 10 Gold
Dehorned Wildlife Lorne Sulcas 4 10 Silver
Escalating the Warning Triptych Betzi Pierce 3 12 Gold
Fish in the Pool Nature Soulby Jackson 3 9 Silver
Fly on Protea Macro Ceridwyn Jamieson 4 9 Silver
Frolic with Mum Wilddlife Didi Franklin 3 9 Silver
Gliding Past Wildlife Peter Franklin 3 13 COM
Greeting Daybreak Street Marian Shinn 2 10 Gold
Harbour Light Dunking Landscape Marian Shinn 2 10 Gold
Hovering for a Mate Wildlife Didi Franklin 3 13 COM
Is Anyone Listening Open Geoff Jamieson 4 11 Gold
Is it for Me Open Geoff Jamieson 4 11 Gold
Lapping it up Wildlife Lorne Sulcas 4 12 Gold
Leucadendron Macro Ceridwyn Jamieson 4 9 Silver
Love in a Mist Open Margaret Silk 1 12 COM
On the High Seas Open Lynn Toms 3 11 Gold
Petrified Wildlife Peter Franklin 3 13 COM
Pillars of Light Open Margaret Silk 1 11 COM
Piracy on the High Seas PJ Peter Brandt MB 12 Gold
Regatta Seascape Maureen Miller 3 8 Silver
Relaxing Before Work Street Peter Brandt MB 11 Silver
Safe Moorings Landscape Mike Wesson 3 9 Silver
Storeroom Window Open Derek Goldman 4 12 Gold
Storm Waves Seascape Maureen Miller 3 9 Silver
Tidal Life Nature Soulby Jackson 3 8 Silver
Waiting for Breakfast Pictorial Lynn Toms 3 9 Silver
Waiting for Water Open Sharon Crowther 1 10 Gold

 

 

 

 

Winners of Theme Image of the Month – Emotion (November/December 2023)

EVALUATION OF THEME IMAGES – JANUARY 2024

Evaluation of Theme Photography 
Theme Entries 
Title Category Author Star Score Award Points
A Simple Leaf Theme Geora Zadok 1 9 Gold 3
Alone Theme Derek Goldman 4 10 Silver 2
Cruising Theme Keith Lyle 4 9 Silver 2
Dark Canyon Theme Didi Franklin 3 10 Gold 3
I and My Chimney Theme Margaret Silk 1 10 Gold 3
Lines and Angles Theme Geoff Jamieson 4 9 Silver 2
Lonely Home Theme Marielouise Cardwell 2 9 Gold 3
Natures Teardrop Theme Lynn Toms 3 9 Silver 2
Red and yellow compo Theme Peter Brandt MB 11 Silver 2
Sentinel Theme Mark Diamond 1 10 Gold 3
Silver Lining Theme SharonCrowther 1 8 Gold 3
Solitary Spinetail Theme Patrick Cardwell 2 10 Gold 3
Stark Theme Jane Bursey 3 9 Silver 2
Timeless Theme Peter Franklin 3 11 Gold 3
Touch Theme Kate_Graham 1 11 COM 4
Tranquility Theme Ceridwyn Jamieson 4 10 Silver 2
Winter Fog Silhouette Theme Marian Shinn 2 9 Gold 3
Yawn Theme Lorne Sulcas 4 8 Bronze 1

Salons

Salon dates for the following year are available from the PSSA website under the tab Salon Calendar and Results for the Year Ending June 2024 or from www.photovaultonline.com

All the brochures containing details are available on both the PSSA and Photovault websites.

Please see our record-keeping page for information on how to submit your salon acceptances to our club records.

Themes and Outings

Ctrl-Click here to view our themes and outings for 2023/24.

 

Formats and sizes of photo submissions, and naming conventions

Click here to see the specifications for digital and print submissions.

Our committee

Click here to view our 2024 committee or to contact them.